The Lion, the Witch and the Wardrobe

C. S Lewis wrote the new(a) The Lion, the enthral and the mechanical press initially for his Goddaughter in set up to keep her in touch with Christianity. What Lewis did not realize is that many adults would alike roll in the hay the fantasize childrens myth as well. The narrative is filled with mythical creatures, ironic moments, and suspenseful situations. Although many events and characters seem improbable, the quaternity children in the book ray of light, Susan, Edmund, and Lucyare realistically portrayed as well-rounded characters with single strengths and faults.Although the novel is acceptd as a childrens legerdemain book, it is also everyday with adults as the story contains bits of modern culture, brilliant descriptions of military unit and is heavy on Christian illustration. As much as the readers sleep with the magical land of Narnia, 21st blow living is not exactly rise of Dryads, Naiads and Fauns frolicking and feasting in the summer woods. By contr ast, in todays childrens fantasy novels, not every unjustness is punished, and not all the good slew live happily ever afterward or so of them die, because that is worldly concern.Between school shootings, gang up military separate and child abuse is seems as though reality is thousands of miles a g overnment agency from the fantasy of comp allowe and total justice in Narnia. What readers of all ages provide repair to, however, is treachery. For example, spouses who cheat, employees who drop off from their employers, and friends who tell lies. This modern idea of betrayal is where readers from any age can relate to the novel. In the narrative, Edmunds first betrayal is a gloomy but grim one Up to that moment Edmund had been emotional state sick, and sulky, and annoyed with Lucy for organism right, but he hadnt made up his mind what to do.When Peter suddenly asked him the question he trenchant all at once to do the meanest and most spiteful thing he could phone of. H e decided to let Lucy down (Lewis 48). Edmund lies ab expose his trip to Narnia in order to make himself look master in the eyes of his older siblings. This small cruelty will pave the modality for his greater betrayal further in the story. Readers of any age can assort with the modern culture of betrayal in the novel, where minimal details are explored that over time lead to Edmund turning his plump for on his siblings.This novel features an odd fluff of childish menace and bloody battles. adolescent children who read this story enjoy the fairy-tale aspects, enchantment older readers can appreciate the repetition of scenes in which the children are often soothe by the sudden availability of tea, and the way the military units of good seem to always exceed the evil. The use of violence throughout the novel deals strictly with fantasy for children, where it is mainly use for excitement. On the other hand, for older readers the violence in the novel can be seen as conseque ntial where extreme force is used as simply fit resort.For example, as the head of the forces of evil, the smock becharm is not playing a pine hand when she exclaims, Summon all our sight to meet me here as quickly as they can. chew the fat out the giants and the werewolves and the spirit up of those trees who are on our side. Call the Ghouls, and the Boggles, the Ogres and the Minotaurs. Call the Cruels, the Hags, the Spectres, and the people of the Toadstools. We will fight (Lewis 149) at that place are many different creatures in Narnia that follow the White Witch and she further when acts as their stone cold captain.This summons explores evil where it is not an isolated disaster in Narnia it is the idea of violence and commands a great deal of power. The Lion, the Witch and the mechanical press functions as a spiritual allegory where one does not have to be too familiar with the account book to recognize some of the key characters and themes. Without doubt, Aslan represents Jesus Christ, and also God himself, whereas the White Witch represents Satan. Narnia, where the find happens, visibly represents the Kingdom of God. Clearly on that point is no direct retelling of any of the Bible stories however, readers can find elements taken and redistributed for younger readers.In addition, having this biblical reality come to life is important to underwrite a committed Christian life style not only for children, but also for adults. For instance, when Edmund arrives in Narnia alone, he immediately meets the White Witch where he is tempted with the enchanted Turkish Delight and the promise of becoming a prince of Narnia. The White Witch explains to Edmund, I think I would like to make you the Prince some day, when you bring the others to visit me (Lewis 40). Succumbing to temptation is a very powerful theme in the Bible, where Jesus is tempted by Satan in the wilderness with promises of great power.Not only does Lewis restate certain events in the life of Jesus in a linguistic context that is easy to understand, most importantly, readers of all ages can twain relate to and enjoy the fantasy of Narnia. An understanding of the modern reality, use of violence and Biblical allegory in the novel is essential in satisfying both younger and older readers. The Lion, the Witch and the Wardrobe has already established itself as a timeless novel that appeals to both the atheists and Christians, the illiterate and to scholars, and lastly to children and adults.In addition to being a childrens fantasy book, it is an adventure story in which the heroes set out on a quest to resume their kidnapped friend and end up view the land. An analysis of this narrative, however, allows readers of any age to amply appreciate Lewis unique gift to alter complex ideas and craft beautiful childrens fantasies. Thus, this allows the reader of any age group to gain a deeper understanding of Lewis as a skilled creative generator and a deeper satis faction of his artwork, The Lion, the Witch and the Wardrobe.